Charles Giraud, aka Girouette, started by skipping school (quite happily) to get on stage, moving between theatre and early experiences in live performance. Very early on, the stage became a constant.
Theatre and street arts took him on tours across South America, Asia and Europe, exposing him to a wide range of performance contexts. From there came bars, concert venues and festivals.
In 2020, drawing from electronic music, offbeat pop and club-driven rhythms with urban textures, he shaped a visual and sonic identity using keyboards, a loop station and various machines. Tracks shift, evolve and reconfigure depending on the moment.
On stage, the audience is never kept at a distance. It’s brought in, engaged, sometimes repositioned. Roles blur, voices are captured, looped, fed back in — the performance becomes a living, shifting form.
Sur scène, le public ne reste pas à distance. Il est intégré, sollicité, parfois déplacé. Les rôles se brouillent, les voix sont captées, bouclées, réinjectées — le concert devient une forme vivante, en mouvement.